Theater Oberhausen

New York Times berichtet vom „geisterhaften“ Video-Drama

Als Projektionen auf Häuserwänden, Garagentoren oder Fensterrollos – sogar auf den Zweigen von Trauerweiden – erscheint das Ensemble in „Die Pest“, hier Mervan Ürkmez als Tarrou.

Als Projektionen auf Häuserwänden, Garagentoren oder Fensterrollos – sogar auf den Zweigen von Trauerweiden – erscheint das Ensemble in „Die Pest“, hier Mervan Ürkmez als Tarrou.

Foto: Debo Kötting und Eva Lochner / Theater Oberhausen

Oberhausen.  Der Theaterkritiker der New York Times vergleicht Oberhausens „Die Pest“-Inszenierung mit dem „Dekalog“ des Schauspielhauses Zürich.

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Projektionen in der „entvölkerten Stadt Oberhausen“.

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„Projekt für die kulturell interessierte Gemeinde“

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